Vulture and New York TV critic Jen Chaney previously worked for the Washington Post and has bylines at the New York Times and Vanity Fair. She also wrote As If: The Complete Oral History of Clueless.
Barry Doesn’t Let Us Turn AwayA trio of carefully crafted scenes in the season finale compels us to confront the consequences of killing.
close read
Never Mind the Anarchy, Here’s PistolHow do you resolve music-biopic convention with a genre rooted in unpredictability? Danny Boyle’s Sex Pistols series never quite figures it out.
trial tribulations
The Circus Was TelevisedThe American Depp v. Heard case played to an audience primed for out-of-context spectacle, and it worked.
Stranger Things 4 Has Big Blockbuster EnergyThe Netflix smash was once a TV show that paid homage to films released decades ago. This season, it’s threatening to become a series of those films.
Hacks Seems a Bit LostThe Emmy-winning series hits the road in season two and needs some time to find its old rhythms.
tv review
The Staircase Defies ExpectationsA seminal true-crime story takes on new dimension in a scripted series that proves there’s still more to say about Michael and Kathleen Peterson.
The Girl From Plainville Can Only Say So MuchDespite a strong Elle Fanning performance, this dramatization of the teen texting-suicide case can’t uncover the why of Michelle Carter.
Bridgerton Takes It Slow in Season TwoHeavy with sexual tension but light on actual sex, the new season isn’t quite a Whistledowner, but it’s not a ton of fun, either.
Super Pumped Is Super ExhaustingThe anthology series’s Uber-focused first season mirrors the overconfident posture of its tech-iconoclast protagonist, for better and worse.