Vulture and New York TV critic Jen Chaney previously worked for the Washington Post and has bylines at the New York Times and Vanity Fair. She also wrote As If: The Complete Oral History of Clueless.
Devs Takes Its Time to Blow Your MindThe FX on Hulu miniseries has all the hallmarks of a story by Alex Garland (Ex Machina, Annihilation), but that may be more of a liability in TV form.
I Am Not Okay With This Goes Out With a BangThe blood-splattered finale of Netfilx’s superpowered coming-of-age story is the culmination of a season-long remix of classic teen movies.
Thank God High Fidelity Fixed RobBy casting Zoë Kravitz as its music-savvy lead, the new Hulu adaptation upends the novel’s and the film’s most infuriating gender bias.
tv review
High Fidelity Is a Great Cover of the OriginalThe similarities between Hulu’s take on the Nick Hornby novel and 2000 film are unmistakable, but its changes to the source push it in new directions.
The New Pope Lives in The Young Pope’s ShadowJohn Malkovich is great as the Vatican’s newest tenant, but Pius XIII’s presence looms over the season despite his being unconscious for much of it.
Welcome to TV’s Cheer-ocracyThe one-two punch of USA’s Dare Me and Netflix’s Cheer proves that cheerleading can inspire multiple great — and wildly different — series.
Soundtrack Is the Opposite of an EarwormA bold but very wobbly Netflix family drama is hampered by a melancholy tone that’s at odds with its flights of musical fancy.
what were the 2010s?
What Did We Just Watch?A 257-show guide to Prestige, Peak, and every other kind of TV from the past decade.
Truth Be Told Tells an Underwhelming Crime TaleThe Apple TV+ series starring Octavia Spencer as a true-crime podcaster sounds great on paper, but is a classic case of prestige-TV overreach.